CINEPLOIT - Cinematic Music Label

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Nello Pazzafini
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Re: CINEPLOIT - Cinematic Music Label

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Weiter gehts mit Musik auf Cineploit, ein neuer Act von einem guten Bekannten, MORLOCK heißt der englische Act und das erste Album auf LP/CD wird September/Oktober erscheinen.
Hier schon mal Kurzinfo und ein erster Track zum lauschen!

Prog doom drummer du jour Andrew Prestidge branches out into the field of electronic music with his solo synthesizer project MORLOCK!

After several years spent holding down the drum stool with legendary doom metal acts Angel Witch, Electric Wizard and Warning – not to mention the prog rock bands Zoltan, The Osiris Club and Suns Of The Tundra – Andrew sat down with his keyboard collection, a 4-track recorder and a selection of sonic screwdrivers to create a new kind of music.

The space-rock jams contained on 'Ancient Paths' are influenced as much by retro synth artists Kraftwerk, Heldon, Tubeway Army and OMD as they are by the sci-fi soundtracks of John Carpenter and the folk-horror that seeps into every corner of the British Isles. Andrew's previous experience in live-soundtracking silent films (performing at Stewart Lee's ATP Festival with Suns Of The Tundra to a 1919 film detailing Shackleton's expedition to Antarctica) and reworking vintage horror scores with Zoltan guide the expansive, all-instrumental melancholy of the record. Acoustic guitars, analog synthesizers and electronic percussion coalesce into a retro-futurist soundscape for the mind's eye.

Many of the songtitles reference occult literature and cinema: Fritz Lang's Metropolis ('Rotwang's Furnace'), Phantasm ('Morningside'), H.P. Lovecraft's Colour Out Of Space ('Blasted Heath'), the comics of Jack Kirby ('Kirby Oberon'). The band name itself is a nod to H.G. Well's classic 1895 novel 'The Time Machine'.

The Wind in the Willows recast for the 22nd century? Quatermass and the Pit relocated to Summerisle? The music of Morlock bridges the past and the future, re-imagining both into a blend of electronic perfection.

Morlock - Morningside

Sleeve Artwork

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Re: CINEPLOIT - Cinematic Music Label

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Am 25. Oktober erscheint neben vorhin erwähnter MORLOCK auch das neue Album von RASHOMON. Hier alle infos und erste Musik dazu!

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RASHOMON – ASHCAN COPY – FILM MUSIC VOL. III (CINE 21) LP & CD

Originally issued in 2011, Ashcan Copy is the third instalment in Rashomon’s Film Music series of LPs. Cineploit Records is proud to present this re-release, and to introduce the

record to a wider audience than the 150 lucky souls who snagged a copy of the ultra-limited initial release on Hlava Records.

Active since 2009, Rashomon is the solo project of Matt Thompson, also of Cineploit mainstays ZOLTAN. This is his second release on the label under the Rashomon name,

following 2014’s LP/DVD extravaganza The Cameraman’s Revenge: Film Music Vol. 4 (Cine 09) – the final release in the Film Music series to date.

The previous edition to this, 2009’s The Finishing Line: Film Music Vol. 2, had focused on re-creating the psychological mind-state of the wilder end of 1970s British public information films. By way of change Ashcan Copy is presented as an album of soundtrack cues fromfilms that were, for one reason or another, never released. The films, hailing from Italy, Japan and the USA (among others) supposedly date from the 1950s to the 1970s, and were (according to the extensive sleeve notes) exactingly sourced from film archives across Europe. In reality, all the music is self-composed. The eight tracks include elements of noise, folk, psychedelia, prog and noir-jazz within their elaborate constructions, created with a panoply of instrumentation including Mellotron, zither, home-made percussion, Fender Rhodes, harmonium, MiniMoog and more. Delicate and sensuous, heavy and oppressive – the record negotiates these musical contradictions while retaining a single-minded pursuit of strangeness and surprise.

Having finally found its spiritual home on cinematic specialist label Cineploit, Ashcan Copy can at last be heard by all.

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Re: CINEPLOIT - Cinematic Music Label

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Noch ein RASHOMON Video!

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Re: CINEPLOIT - Cinematic Music Label

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RASHOMON & MORLOCK sind gerade erschienen, hier jeweils die LP und CD Version!

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Re: CINEPLOIT - Cinematic Music Label

Beitrag von buxtebrawler »

Nello Pazzafini hat geschrieben:RASHOMON & MORLOCK sind gerade erschienen, hier jeweils die LP und CD Version!
Geschmackvolle Aufmachung :)
Onkel Joe hat geschrieben:Die Sicht des Bux muss man verstehen lernen denn dann braucht man einfach viel weniger Maaloxan.
Ein-Mann-Geschmacks-Armee gegen die eingefahrene Italo-Front (4/10 u. 9+)
Diese Filme sind züchisch krank!
Suche (dt. Sync): Dr. Jekyll und Mr. Hyde ('31) / The Last Song (Permanent Record)

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Re: CINEPLOIT - Cinematic Music Label

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Neues von LAWA kommt 2020!

Hier Musik vom Linkshänder ! ;)

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Re: CINEPLOIT - Cinematic Music Label

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Neue Musik vom kommenden Album von LAWA (Cine 23)

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Re: CINEPLOIT - Cinematic Music Label

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2 neue Full length Alben kommen diesen Herbst. Zum einen wäre da LAWA - The Parallax View (Cine 23) zum anderen PAN/SCAN - Kosmonauter (Cine 24).
Beide als färbiges wie auch schwarzes Vinyl sowie als CD Edition.

Hier schon mal die Sleeves der beiden Werke.
Dateianhänge
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Re: CINEPLOIT - Cinematic Music Label

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Hier erstes für die Lauscher von der kommende PAN/SCAN - Kosmonauter (Cine 24) welches ja das Soloprojekt von Christian SOSPETTO ist - einigen hier sicher vom Düsseldorf Komitee bekannt. Ganz ganz großes Album kommt da!!! Doch hört mal selber rein!

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Re: CINEPLOIT - Cinematic Music Label

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11.Dezember kommen die nächsten beiden Platten raus, VVK hat begonnen.

LAWA - The Parallax View (Cine 23)

LP 180g colored Vinyl lim. 300 copies (200 +CD)
LP 180g Black Vinyl lim. 200 copies (50 +CD)
CD Mini Gatefold Sleeve lim. 400

LAWA is the acronym for the duo of Austrian soundtrack wizards Alain Leonard and Alex Wank. Once again they are honouring the world of film music in their idiosyncratic, very personal way. After their first Cineploit release, "Omaggio a Lucio Fulci and Fabio Frizzi“ (Exploit 02, 2012, Vinyl only) and the follow up, "Omaggio a Riz Ortolani“ (Exploit 06, 2015, Vinyl only) LAWA now takes a ride through the furthest reaches of '70s and '80s French and Italian cinema. From Michel Colombier, Michel Legrand and Jacques Revaux to Alessandro Alessandroni, Daniele Patucchi, Nico Catanese and G & M de Angelis, every base is covered. And, of course, not to forget the Master of them all: Ennio Morricone (RIP).
These very special tracks have been renewed in LAWA's dark electronic style, proving without a doubt the high-level craft of the composers extraordinaire that created them. Some versions are close to the original, but others have acted as springboards for new ideas and creations. 
This release is probably LAWA's final reinterpretation of classic obscure film scores, as Messrs Leonard and Wank are creating more and more of their own atmospheric soundtrack music for documentaries, shorts and feature films - hopefully soon to be released via Cineploit as well.
Now take a deep dive into this dark ride through European cinema, brought to you in the inimitable LAWA way!

Tracklist

2019: Dopo La Caduta Di New York 
(aka Fireflash - Der Tag Nach Dem Ende * 2019 After The Fall Of New York)
 
Original composed by Guido & Maurizio de Angelis

L´ Arbaléte
(aka Der Linkshänder * The Syringe * Asphalt Warriors)
 
Original composed by Jacques Revaux

Suor Omicidi 
(Aka Killer Nun)
 
Original composed by Alessandro Alessandroni
 
É tanta paura 
(aka Magnum 45 * Plot of Fear)
 
Original composed by Daniele Patucchi

La Bimba Di Satana  
(aka Sexorgien Im Satansschloss * Dr. Porno & Sein Satanszombie * A Girl For Satan)
 
Original composed by Nico Catanese.
 
The Parallax View
 
Original composed by Alain Leonard and Alex Wank
 
Un Homme est Mort
(aka Brutale Schatten * The Outside Man)
 
Original composed by Michel Legrand

L´Alpagueur 
(Aka Der Greifer * Lo sparviero)
 
Original composed by Michel Colombier

Revolver (Versione 2019)
(aka Die perfekte Erpressung * Blood in the Streets)
 
Original composed by Ennio

New revised version, re-recorded drums, re-worked track and different mix.

PAN/SCAN - Kosmonauter (Cine 24)

LP 180g colored Vinyl lim. 300 copies (200 +CD)
LP 180g Black Vinyl lim. 200 copies (50 +CD)
CD Mini Gatefold Sleeve lim. 400 copies

Release Date 11. December 2020

Four years on from the debut album “Cinematic Lies”, the second release from SOSPETTO founder Christian Rzechak under the PAN/SCAN alias is heading your way. Inspired by old-school synthesizer soundscapes of the Berlin or Düsseldorf school, but with an atmospheric modern feel added, KOSMONAUTER is a pure electronic science fiction soundtrack to guide your dreams. Reminders of composers such as Jóhann Jóhannsson, Cliff Martinez or Steve Moore are quite intentional. The fusion of retro-futurism and contemporary electro-ambient innovations takes you on an exhilarating aural trip into the darkest, furthest reaches of infinite space!
 
Who is the KOSMONAUTER? What is his mission? Does he defend us against danger or is he a threat himself? The six tracks on the album tell a story, but where this journey goes is up to the listener. The track titles hint at the true meaning, but who can interpret them? The KOSMONAUTER will invade your head; and, maybe, you will lose your mind...The KOSMONAUTER: Redemption or Apocalypse?

Tracklist:

Situation 00:07:03
Orientation 00:04:20
Levitation 00:05:50
Confrontation 00:06:16
Accelaration 00:04:39
Finalisation 00:08:37
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